Oldtaku: Anime for Grownups

Summary: Baseball as a gambling vehicle
Based on: 3 eps
Info at: Anime News Network (pic from there, too)

Note: This is a guest review by Brendan Speer.

When found out about One Outs, I was very excited.   ‘Finally’, I thought to myself, ‘An Akagi where I’m familiar with the sport!  This is going to be great!’  Plus I can pretend that the Lycaons are the Cubs.  Thusly, I waited for 2 weeks for it to be subbed; begging and cajoling friends to do it for me.

Then I sat down and watched the first episode.

And I was really disappointed.  I figured out that one of the great things about Akagi is that I don’t know the first damn thing about Mahjong.  I could really follow Akagi play without the little nagging doubt in the back of my mind.   The prospect of an 120 kph (75 mph) pitcher with no breaking balls being able to psych his opponents out that much introduces an element of that ‘This is ridiculous!’ feeling.

And yet, I’ve watched 3 episodes, and will probably watch the fourth tonight.   First off, it’s still compelling to watch.  I _still_ want to see Toua beat his first challenger at One Outs Baseball.  Even if I know the prospect is preposterous.

What Akagi and One Outs do differently from traditional ’sports’ anime, like Hikaru no Go and Prince of Tennis, is that the latter play like ‘Japanese youth introduction to sport <insert sport here>’.   Prince of Tennis will spend half an episode talking about the Buggy Whip Shot, or try and illustrate the difference between an All-Arounder and Baseline Retriever.  One Outs doesn’t do this.  Instead the sport is only a vehicle to tell the story, quite well I might add.  You know what’s going to happen, you always know who’s going to win.  However, between the Narrator, the Music, and the situations, you’re still compelled to keep watching.   How will Akagi play out of this?  Will Toua get hit?  It’s quite ingenious.

As Ron has referenced in his paragraph, the character designed have been tarted up for the female audience.  In Akagi, the character designed were basically ugly.   Distinctive, and stylish, but unattractive.  The unattractive, gritty style fit Akagi well.  In One Outs both Kojima and Toua are pretty-boy anime arch-types, the former being the squared-jawed Japanese traditionalist, and the latter having that punky bishonen going for him.  Even the first opposing team’s pitcher has an Kaneda-like street punk handsomeness to him.

The first two episodes were very Akagi like.   Very slow paced, building suspense.   The third introduced another element, of the Owner of the team.  I’ll try not to give away too much, but I like the way this is turning from the Akagi formula.   I suspect when I go back to rewatch something like this, however, I’ll still turn to the Mahjong master.